One of the largest pieces in my most recent ILLUMINATED TOPOGRAPHY collection is a 36 x 36 inch layered figurative work entitled Tell Me Your Secrets.
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The two art pieces shown here remind me of my sister and how protective I feel of her. That’s why I’ve chosen to donate the profits from the sale of these pieces to the PKD Foundation of Canada.
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A heartfelt thank you to everyone who attended the Lingering Light Group Art Show! It was an absolute pleasure to meet you and share my new Illuminated Topography Collection in person at Sovereign House in Bronte Harbour.
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Have you ever noticed that sometimes the creative process unfolds, similar to how a flower blooms? Starting with a tiny seed of an idea, growing slowly and almost imperceptibly. Gradually taking shape over time and finally blooming into something extraordinary? That's precisely how The Garden Girls Collection came to life.
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I recently completed an interview with Abstract Artists - Discover Abstract Art. Their thought-provoking questions led to some juicy details about the motivation for my work.
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Creating original images can seem like an elusive goal in a world saturated with visual content. To that end, I’ve read several articles recently discussing whether or not photographers should look at the work of other photographers. More specifically whether photographers heading to a shoot location should look at images made by others of that place before they travel there themselves.
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Have you ever noticed that sometimes things work out better when you stop struggling and instead go with the flow? That's a sweeping statement - let me explain.
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As a photographer, every trip is an opportunity. Before I travel, like many, I research my destination ahead of time. I consider the season, I look at the weather, I even do a pinterest and google image search to get a sense of what I might find upon arrival. In other words, like a good girl scout - I plan. But lately, I have discovered that no amount of planning can replace the simple act of immersing yourself in a place.
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There is a certain “je ne sais quoi” about “great” images. Most of us understand that it has nothing to do with technical mastery of the camera (although that is important) we instinctively seem to know that what elevates a good photograph to greatness lies in the realm of creativity.
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One of the things I find most appealing about photography is that an infinite number of choices are required to create the final product. Of course this is no different from any other creative endeavor.
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